... I couldn't hear him, it must have been someone else. So, I am back at my desk, and the sun has moved high enough to render my laptop screen visible again. Whilst I wait for David to appear I thought I would sling a few photos up from the last couple of days.
I was up on the roof of the Broadcast Centre, taking some shots of
Strycova vs.
Bondarenko on Court 18. It is one of my favourite courts, you are high up above the action and so it provides a different view of the players than you get on most of the other courts.




- A serve. I am told these shots are easy to take, and that is a fair observation I think.
- A lot of the shots we get sent have a tennis ball in them. No kidding Jay, a tennis ball? What are the chances eh!? Well, sometimes I like to take shots that don't have a ball. The image is then all about the shape of the player, the grace and poise, the second or so after the ball has left the frame. Sometimes such images make me think of ballet.
- Using a 300mm lens from just above the player makes it impossible to get a head to toe shot. Nevertheless, you can get some reasonable 'portraits'.
- Taking action with that lens from the same position is extremely difficult. Ha, well, for me at least. I listen for the ball leaving the opponent's racquet, then count and start shooting just before I think the ball will enter the frame. Generally it works well, and on a shorter lens you can gaurantee to get the ball in the shot, and with practice, on the racquet. This close, even with 10.5 frames a second, I am still having trouble getting the timing right.



- The aforementioned 300mm lens is excellent when shooting action at the opposite end of the court. Crisp.
- Looks a bit flat, this shot, but worthy to me as the power of the shot the player has pulled off is hinted at in the extension of the racquet and the movement (although stopped) of the clothing.
- The loneliness of the long distance tennis player, her only friend at this injury-induced moment is a big pink Wimbledon towel. Comforting.




- The light on Court 18, late in the day, is difficult. Some of the court is in shadow, the rest is brightly lit. I like the anonymity of shots from behind the player, but again this shot is a bit flat.
- The other end of the court, and the sun is still hitting it, drawing long shadows and sending exposure levels into the lap of the gods.
- Tattoo.
- Dejection kicks in (this was just before the towel was deployed fully in the shot above).
Right, I have work to do. More photos and words a bit later.